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Chris Bateman's avatar

Dear Andrew,

Firstly, many thanks for continuing to write about and investigate your interpretation of Middle Earth's geography. Also, please forgive the epistolary form of this comment; this is how I write. Tolkien probably had a hand in this, as did Michael Moorcock and so many other fantasists. We are all, after all, part of the same tapestry of thought, for all that it is unravelling. Also: I work in videogames, and I've been honoured to encounter some of the great fantasist writers as a result. Therefore, please also forgive any name dropping. As blessed as I have been with these encounters, it is a small curse to be disliked for talking about it.

I worked on a videogame series known as Heretic Kingdoms, which has been an adventure, and last year somebody in Eastern Europe wrote to me in order to ask whether I was a scholar of Eastern European history from the fall of Roam to the Middle Ages, because he could relate my fictional history of the Heretic Kingdoms to actual events in the region. Reading everything he had put together was dazzling. But of course, I am a Brit and entirely ignorant of the history around the base of the Ural mountains. Then again, it's not that I'm not well-read. Even if his detailed mappings of my fictional timeline onto his historical one were beyond possibility, the confluence of influence could still remain. I wish we had a word for this kind of synchronicity that would not reduce it to coincidence, as it is a deeply meaningful force in thought.

Conversely, you sometimes write as if you can prove your vision of Tolkien's motives by gathering evidence, as if what you were doing were a scientific investigation. But it isn't. It's a historical investigation. We have forgotten, almost entirely, a lesson I learned from my philosophy mentor, the dear departed Mary Midgley: that the sciences are not the only means of uncovering or assembling truths, and that there are other methods that are not only valid, but actually better suited to some of the tasks we face. I write this point not as a criticism of what you are doing (which I love) but as a general criticism of our time. This process of uncovering connections is invaluable whether or not there is any question of 'proof', which is something I have learned through my own pursuit of similar conceptual excavations (e.g. connecting the Grand Theft Auto games to Elite, which I have 'proven', and to Paradroid, which I probably never win). Even if you had not discovered Rockall, your process of investigation would still have had merit, and still have been worth writing about. I hope that if you had not found it, you would still have shared your thoughts about it.

Now for what little it's worth, I always thought that Middle Earth was supposed to be our world in the distant past, and this for several reasons. Firstly, and most importantly, the arrogance of my youth when I would leap to a conclusion first and ask questions later. Secondly, the actual text of The Hobbit, which directly tells us that the world of the mid-twentieth century is ages after Bilbo's adventures, and that goblins are responsible for the most diabolical of our weapons and that golf was invented by a hobbit. I always thought (ignorant as I was of 'Midgard' at the time) that 'Middle Earth' meant 'the Earth between the lost Golden Age of the past and the future time of now This is clearly a mistake. But that thought was always embedded in me.

It perhaps goes without saying that the fantasy genre as it emerged in the twentieth century was steeped in the idea of fantasy realms not being 'other dimensions', as we have it now, but earlier ages of our own planet. I recently worked on a Robert E. Howard game, which alas was cancelled, but thoughts about his work are fresh on my mind. Howard of course was a key golden age fantasy writer and part of H.P. Lovecraft's writing circle. He expressly tells us the Hyborean Age where the Conan stories are set is in our past, and there are many other short stories he wrote that set up these kinds of 'lost ages' - to the extent that up until Michael Moorcock and Roger Zelazny reframed fantasy worlds as 'other dimensions', the 'lost age' conceit was the norm. Surely Tolkien must either have encountered this from the early twentieth century fantasists or else was steeped in the same literary forces that made this the default understanding of both high fantasy and sword and sorcery.

Moorcock, whom I got to know as well as any fan can know their idols while working on one of my philosophy books inspired by his work, seems also to have had a similar drive, even as he invents the literary multiverse that gave birth to the physicist's hypothetical multiverse. At the end of the Elric saga, when the White Wolf blows the horn of fate, the lands of the Young Kingdoms shift and are reformed. Moorcock never says if Europe is the geography that follows, and I never thought to ask him alas, but I think it interesting that a British writer (even one grumpy at Tolkien for reasons that amount to London vs Home Counties) who helped shift us from 'lost ages' to 'other dimensions' was still steeped in that very same literary tradition. (Zelazny, as a US citizen, had no such historical formation to draw against).

Lastly, I worked on the Discworld games where I had the honour and privilege of getting to spend time with the late Terry Pratchett. We enjoyed talking about other fantasists together, the few times we were in the same time and space (mostly press junkets promoting the games), and we discussed Moorcock's dislike of Tolkien the first time we met. Pratchett told me (and I don't know if this has come out elsewhere) that he wanted to become a fantasy writer after writing to Tolkien and getting a reply. It was a life changing event for him. Tolkien wrote back to every fan, and Pratchett committed to do the same. This means, I presume, that there is a huge undiscovered world of Tolkien epistles to be discovered. Just imagine what treasures might lurk out there, like those lost recordings of Patrick Troughton Doctor Who that occasionally appear and rock fans worlds!

I hope these thoughts are welcome, and please accept my grateful thanks for sharing yours.

With unlimited love,

Chris.

PS: I am a US immigrant these days, but over in my home land for the Summer, back in Manchester where I have lived most of my adult life. I have several times balked at writing to you about the protests and the riots, which you mentioned recently. I may yet. What stops me is the fear that we will not end up talking together about it. That's fine. It just gives me pause. I write comments online as if they were letters because nobody will write letters any more. But for me, like Pratchett and Tolkien, the letter was a sacred trust. I feel duty bound to continue writing in the form. Many thanks for your patience in reading this one.

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Bilbosbagend's avatar

Must find Ticmanis

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