A beautiful illustrated essay of our re-imagined history. It is really important to do this and share it with others. For re-imagining our history at this point is critical in having the slightest idea how to go on. A James Joyce said - our current "history is a nightmare from which I am trying to awake."
Excellent article and sent me down the Atlantis rabbit hole. I will dispute the idea of flood stories, though. Many skeptics of such an idea would bring up several points:
- Firstly, a flood story (of which I will admit there are many): there are many seafaring or coastal/river-based societies, of which an especially severe flood could easily have wrought havok on an early civilization, and it's not unlikely that one would mythologize an event in their own regions independently and not necessarily refer to a proto-Numenor/Atlantis
- Secondly, many cultures either don't have flood stories, I would imagine, or have the flood stories play out very differently from the Bible or the Mesopotamian source.
I love your work and I would love to get your thoughts on this.
This is an exciting piece that exposes a lot of truth. Religion (and the superstition it promotes) is the curse of the witch Circe (pronounced CHURCH), that turns all men into swine. Satan infiltrated Atlantis with priestcraft and superstition. The ethics of Christ antagonize Satan and his priests and their system of usury and slavery. The priest's system begins with their ethics: to exploit mankind, to despise him and keep him ignorant and exploitable. Education is what helps Christians not get exploited by the priests. The Pope and his Catholic Church are called the Whore of Babylon in Revelation because they offer a religious replacement for ethical Christianity in the same way that a whore offers a replacement for real conjugal love. Satan and his priests don't want us to be able to tell the difference.
All the ancient poetry from Homer to Virgil was written by poets steeped in the symbolic significance of their stories. This symbolism is lost to us today, but John Toland, in his Celtic Antiquities, gives us some insight into this symbolic tradition (that was abandoned once Julia and her favorite, Ovid, took over Roman poetry).
A beautiful illustrated essay of our re-imagined history. It is really important to do this and share it with others. For re-imagining our history at this point is critical in having the slightest idea how to go on. A James Joyce said - our current "history is a nightmare from which I am trying to awake."
Excellent article and sent me down the Atlantis rabbit hole. I will dispute the idea of flood stories, though. Many skeptics of such an idea would bring up several points:
- Firstly, a flood story (of which I will admit there are many): there are many seafaring or coastal/river-based societies, of which an especially severe flood could easily have wrought havok on an early civilization, and it's not unlikely that one would mythologize an event in their own regions independently and not necessarily refer to a proto-Numenor/Atlantis
- Secondly, many cultures either don't have flood stories, I would imagine, or have the flood stories play out very differently from the Bible or the Mesopotamian source.
I love your work and I would love to get your thoughts on this.
This is an exciting piece that exposes a lot of truth. Religion (and the superstition it promotes) is the curse of the witch Circe (pronounced CHURCH), that turns all men into swine. Satan infiltrated Atlantis with priestcraft and superstition. The ethics of Christ antagonize Satan and his priests and their system of usury and slavery. The priest's system begins with their ethics: to exploit mankind, to despise him and keep him ignorant and exploitable. Education is what helps Christians not get exploited by the priests. The Pope and his Catholic Church are called the Whore of Babylon in Revelation because they offer a religious replacement for ethical Christianity in the same way that a whore offers a replacement for real conjugal love. Satan and his priests don't want us to be able to tell the difference.
All the ancient poetry from Homer to Virgil was written by poets steeped in the symbolic significance of their stories. This symbolism is lost to us today, but John Toland, in his Celtic Antiquities, gives us some insight into this symbolic tradition (that was abandoned once Julia and her favorite, Ovid, took over Roman poetry).
The Oera Linda has accounts of these sea kings as they voyage about re-seeding the West.
That's my read on it, may be pertinent . . .